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$23.809.499 El precio original era: $23.809.499.$19.960.699El precio actual es: $19.960.699.
Canon EOS R5 C Mirrorless Cine Camera Kit with RF 24-70mm Lens & EW-DP Wireless Mic
- EOS R5 C Mirrorless Cinema Camera
- RF 24-70mm f/2.8 L IS USM Lens
- Sennheiser ME 2 SET R1-6 Wireless Mic
- Full Camera Cage with Top Handle
Ideal for wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, the EOS R5 C Mirrorless Cinema Camera from Canon offers a new type of shooting experience. With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There’s no need to carry a second camera to your production when stills and video are available within a single compact design. The R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassignable buttons, and a multifunction shoe for XLR adapters. The camera also retains the reliable features of those cameras including Wi-Fi/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress/SD card slots, a similar button layout, and more. The EOS R5 C is also dust and moisture resistant to the same level as its cinema cousin, the EOS C70. All this is packed into a tiny 1.5 lb body that is just asking to become your go-to drone camera.
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Descripción
The Rock Store te trae Canon EOS R5 C Mirrorless Cine Camera Kit with RF 24-70mm Lens & EW-DP Wireless Mic
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Ideal for wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, the EOS R5 C Mirrorless Cinema Camera from Canon offers a new type of shooting experience. With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There’s no need to carry a second camera to your production when stills and video are available within a single compact design.
The R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassignable buttons, and a multifunction shoe for XLR adapters. The camera also retains the reliable features of those cameras including Wi-Fi/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress/SD card slots, a similar button layout, and more. The EOS R5 C is also dust and moisture resistant to the same level as its cinema cousin, the EOS C70. All this is packed into a tiny 1.5 lb body that is just asking to become your go-to drone camera.
Ready for Anything
Ideal for wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, the EOS R5 C Mirrorless Cinema Camera from Canon offers a new type of shooting experience. With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There’s no need to carry a second camera to your production when stills and video are available within a single compact design.
The R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassignable buttons, and a multifunction shoe for XLR adapters. The camera also retains the reliable features of those cameras including Wi-Fi/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress/SD card slots, a similar button layout, and more. The EOS R5 C is also dust and moisture resistant to the same level as its cinema cousin, the EOS C70. All this is packed into a tiny 1.5 lb body that is just asking to become your go-to drone camera.
Common Features & Technology as the EOS R5
Canon’s 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C’s superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting.
- Focus and speed are paramount in the EOS R5 C, providing impressive still-image continuous capture at speeds of up to 20 fps
- Dual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects
- With 1053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face, and Head Detection AF, or intuitively track the whole body, face, or eyes of cats, dogs, or birds with Animal Detection AF
- For those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles
- Connectivity like 5 and 2.4GHz Wi-Fi and Bluetooth is also included for the transfer of still images
Video Control for the Dedicated Video Professional
As soon as the EOS R5 C’s main switch is moved to the «video» position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features including waveform monitors, video codec options, and extensive audio control become available, greatly expanding the EOS R5 C’s video potential for the experienced camera operator or video content creator. During «photo» operation, menus are nearly the same as they are on the EOS R5 camera.

Ergonomic EOS Design
The EOS R5 C camera’s body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its electronic viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.
CMOS Sensor and DIGIC X Processor
The 8K CMOS sensor and DIGIC X processor produce high-quality video at up to 8K60 resolution. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder. The EOS R5 C camera supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) format, which helps ensure full-color rendition and wide latitude with a range from black to pure white, useful for the delivery of live streams, broadcasts, and postproduction projects.

8K60 RAW Recording
Cinema RAW Light in 8K is ideal for postproduction grading and archiving, or MP4, which is optimized for faster online use. 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates. Thanks to three newly developed Cinema RAW Light modes (High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs. Lighter, smaller proxy video files can also be recorded while shooting 8K.
The EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices. By connecting the EOS R5 C camera with a supported external recorder, you can shoot in Apple ProRes RAW at up to 8K30. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.

Different File Formats and Simultaneous Recording
Along with Cinema RAW Light, which provides light data sizes for RAW recording, the EOS R5 C camera supports MXF-based XF-AVC as well as the highly versatile MP4. It is also capable of recording two independent video files simultaneously, such as Cinema RAW Light and MP4 at various resolutions including 4K and HD, as well as lightweight proxy files for various professional workflows. XF-AVC offers robust 10-bit 4:2:2 files in a .MXF wrapper for simple compatibility with nonlinear editing systems (NLEs) and existing workflows.

Internal Cooling Fan Enables Nonstop 8K60 Recording
The EOS R5 C camera has a cooling fan built into the body, forcing out the heat from inside, enabling continuous and virtually limitless shooting of high-definition 8K60 video without interruption.

Expanded Interface for Professional Needs
The EOS R5 C camera provides a timecode input/output terminal for easy synchronization when shooting with multiple cameras and other interfaces. A cable protector is also included as standard to prevent cable disconnection or damage to the terminal if strong force is applied when connecting interface or HDMI cables.

Multifunction Shoe for Audio Recording
Canon’s multifunction shoe with digital audio interface supports the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter for up to 4-channel audio. This optional accessory adds two full-sized XLR terminals with phantom power and a shotgun mic mount, enabling digital 4-channel and 24-bit audio recording to meet professional video production needs.
Multiple Power Options
The addition of Cinema RAW Light recording at higher resolutions and frame rates demands additional power for full lens functionality. In full-frame 8K60, Super 35 5.9K60, and Super 16 2.9K120 with Cinema RAW Light recording, standard LP-E6NH, LP-E6, or LP-E6N battery packs will not be able to power the electronics of RF lenses or EF lenses attached via an adapter. You can use purely mechanical lenses without issue at these settings.
To gain full electronic lens functionality with all Cinema RAW Light resolutions and frame rates, you can use utilize the CA-946 power adapter with the new DR-E6C DC coupler for mains or pro D-Tap battery power sources, or you can use a power bank such as the Anker PowerCode 26800mAh PD or omnicharge Omni Mobile 25600mAh.
13 Full-Featured Assignable Buttons
The EOS R5 C camera is designed with operational flexibility in mind, conforming to each individual professional workflow, including 13 marked, assignable buttons that allow for user-friendly customized operation.
4K and 2K Oversampling
The EOS R5 C camera reads out signals for all effective pixels from its full-frame 8K sensor, enabling 4:2:2 10-bit high-definition recording through oversampling during 4K and 2K video recording. A high-definition debayer algorithm is included and the 4K generated from the abundant RGB data of the 8K sensor enables more refined imaging capabilities with less incidence of moiré, false colors, «jaggies», and noise.

Up to 4K120 Slow and Fast Motion Recording Mode in 4:2:2 10-Bit
The EOS R5 C camera can record High Frame Rate (HFR) movies at up to 120p at DCI/UHD 4K resolutions (4096 x 2160/3840 x 2160) in 4:2:2 10-bit without cropping the sensor. Great for shooting scenes full of fast-paced action, the EOS R5 C camera’s fast and intuitive autofocus remains enabled even during HFR recording, making it ideal when shooting from a gimbal or drone, delivering outstanding focus accuracy at HFR or at common frame rates.

Simultaneous Audio Recording Enabled with HFR
Unlike some other cameras where audio is not recorded during HFR shooting, the EOS R5 C camera can record .WAV audio as a separate file from video, virtually eliminating the need for separate audio recording and delivering HFR video and audio files in one convenient device when shooting slow- or fast-motion video.
Canon Log 3 Expands Expressive Possibilities
The EOS R5 C camera features Canon Log 3, which is found in many Canon cameras and works with multiple Canon EOS and Cinema EOS cameras. The wide dynamic range can be used for a wider range of grading after shooting. Canon Log 3 is a gamma that is designed for simple grading, such as tightening dark areas and adjusting tones. It carries on Canon Log’s ease of use with less noticeable noise. It can also be used when shooting with other Cinema EOS system cameras such as the EOS C300 Mark III and EOS C70 cameras.
Enhanced Image Stabilization
Enhanced image stabilization is achieved through coordinated control when Canon’s RF lenses with optical IS are combined with the EOS R5 C camera’s electronic IS when shooting XF-AVC or MP4 formats. With an RF lens that has optical IS and the electronic IS in the EOS R5 C camera, coordinated control helps achieve the optimum hand-shake correction effects. This helps achieve better anti-vibration performance than with conventional IS-equipped EF lenses (using optional Mount Adapter EF-EOS R) and electronic IS together.
Canon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow
The EOS R5 C camera is useful when paired with Canon’s RF5.2mm F2.8 L Dual Fisheye Lens to achieve stereoscopic 3D 180° VR video (viewing in 3D requires the use of a compatible Head Mount Display). A plug-in for Adobe Premiere Pro and Canon’s EOS VR Utility is available to streamline the workflow from shooting to editing.
Dual Pixel CMOS AF with iTR AF X
Canon’s Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus, and also to capture actual image information achieving both high precision focusing and high image quality. With most Canon RF and EF lenses, AF for video can be carried out over approximately 80% of the vertical and horizontal area of the screen.
- Touch AF allows positioning an AF point by simply touching the LCD screen, in addition to quick manual positioning with the 8-way multi-controller on the rear of the camera.
- The camera features Eye AF/Head Detection AF, developed with the use of deep learning technology to improve subject tracking.
- It also provides human detection (eyes/face/head), allowing it to track subjects accurately even when AF control is not available.
- You can track focusing as desired depending on your subject or shooting situation. A wide variety of AF modes enable autofocus shooting that flexibly responds to the subject’s movement.
- You can leave focusing to the camera and concentrate on your camera work.

Still Imaging Features
High Still-Image Quality Featuring a 45MP Full-Frame CMOS Sensor & DIGIC X Processor.
Still imaging features and operation are nearly identical to Canon’s EOS R5 camera. The EOS R5 C features the same Canon-developed CMOS sensor with approximately 45 effective megapixels, and a DIGIC X image processor to enhance the speed of operations across the board. This means fast, efficient performance and phenomenal image quality for big prints, impressive video, and more.
DIGIC X Image Processor with an ISO Range of 100-51,200; Expandable to 102,400
Delivering high standard and expanded ISOs (for still images), and a broad range of options to help enhance shooting in varied and fast-changing lighting situations, the EOS R5 C camera can shoot at expanded sensitivities down to ISO 50 (L) and up to 102,400 (H).
High-Speed Continuous Shooting
- High-speed continuous shooting of up to 12 fps with Mechanical Shutter and up to 20 fps Electronic (Silent) Shutter
- High-speed continuous shooting with full AF subject detection and tracking, at all still image quality settings
- A high-precision Dual Pixel CMOS AF system allows the EOS R5 C camera to reliably capture approximately 100% of the still-image area, with most Canon lenses
Same Subject Detection and Tracking AF as the Canon EOS R5
The same subject detection and tracking AF as the Canon EOS R5 Camera, even at shooting speeds as fast as 20 fps.
Head and Eye Detection
Select «People» as the EOS R5 C’s «subjects to detect,» and like the EOS R5, it can focus on a detected person’s eyes, face, head (if a face is obscured), or entire body if a head cannot be detected.

Animal Detection
For still images, the same revolutionary Animal Detection AF as the EOS R5 can identify and focus upon eyes, faces, or bodies of birds, cats, and dogs, and can do so over virtually the entire image area with many Canon lenses. This opens up game-changing possibilities for wildlife images, even with subjects as challenging as birds in flight.
Vehicle Detection
Carried over from the high-performance Canon EOS R3 camera, the EOS R5 C adds Vehicle Detection AF as a subject detection option, during still-image shooting. Cars and motorcycles, especially in racing applications, can be identified and tracked, even at high speeds. User-selectable Spot Detection lets the R5 C’s AF detect the helmets of an exposed rider or driver, and put focus upon them, instead of the leading edge of the vehicle.
AF Area Flexibility
Select the size of the active AF area from a precise single AF point to the entire available AF area and rapidly move a user-selected area via the 8-way multi-controller on the back of the camera. The EOS R5 C has the same range of choices for still image AF method selection as the EOS R5 camera.
AF Area Coverage of Approx. 100% x 100% for Still Images
The EOS R5 C camera features an expansive focus area of approximately 100% horizontal and 100% vertical when working with select RF and EF lenses, during still image shooting. With older EF lenses, or with EF Extender types I and II, the EOS R5 C focuses on approx. 80% horizontally and 80% vertically of the image. This means fast and impressive focusing even when composing your subject far from the center of the frame.
EV -6 Low-Light Autofocus
Great for night photography or in very low-light settings, the EOS R5 C camera’s brilliant AF can operate for still images in light as dim as a light rating of EV -6 where other AF systems may fail or search. Still-image AF is possible with lens + Canon RF tele extender combinations having maximum effective apertures as slow as f/22 – meaning AF is still possible with the RF 800mm f/11 IS STM + RF 2x Extender.
Standard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras.
Bright f/2.8 constant maximum aperture maintains consistent illumination throughout the zoom range and suits working in low-light conditions as well as affords increased control over depth of field for working with selective focus techniques.
Three UD (Ultra-Low Dispersion) elements help to minimize chromatic aberrations and color fringing in order to provide greater clarity and color accuracy.
Three aspherical elements are used to correct spherical aberrations and distortion for improved sharpness and accurate rendering.
An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions.
An Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds.
Nano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and nearly silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode.
Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.
Protective fluorine coating has been applied to the front and rear element to resist fingerprints and smudges and to make cleaning these elements significantly easier.
As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions.
Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.Streamline Your Audio with Setup Simplicity and Digital Clarity
Purpose-built for content creators, videographers, and newsgatherers looking for a stress-free wireless experience, the Sennheiser EW-DP ME 2 SET with ME 2 Omnidirectional Lavalier is a camera-mount, fully digital wireless microphone system that utilizes professional UHF transmission to reliably deliver Sennheiser’s pristine, broadcast-quality audio directly to your camera. This configuration includes an EW-DP EK camera-mount, single-channel receiver with mounting kit, a lightweight EW-D SK bodypack transmitter with unobtrusive ME 2 omnidirectional lavalier mic, plus 3.5mm and XLR output cables to connect the receiver to a DSLR/mirrorless camera or to a recorder or mixer.
Easy to set up and simple to operate, the EW-DP’s pro-level features provide an intuitive user experience for first-time and experienced users alike. With a remarkable 134 dB dynamic range, the transmitter can handle just about any input level you throw at it without having to worry about setting the input gain to prevent clipping. The receiver’s wide 56 MHz bandwidth, intelligent switching diversity reception with two antennas, and auto-scan with 2240 frequencies work to provide rock-solid wireless performance, even in challenging RF environments. Bluetooth capabilities allow you to remotely sync components and change settings from your phone, using the Smart Assist app, while Smart Notifications provide you with troubleshooting and system guidance. Intelligent battery management gives you extended operating time on set with up to 12 hours on transmitter and 7 hours on receiver.
Legendary Sennheiser Digital Sound with Ultrawide 134 dB Dynamic Range
- With a remarkable 134 dB dynamic range on the transmitter’s input, the days of worrying about overloading your signal are over. The EW-D can handle a wide variety of sound sources, from quiet speakers or actors to the loudest sounds, all without requiring any gain adjustment at the transmitter.
- With 24-bit digital audio and a flat 20 Hz to 20 kHz frequency response, EW-DP delivers clear, accurate audio reproduction.

Rock-Solid UHF Wireless Audio for Professional Performance
- Used by professionals the world over, UHF transmission greatly enhances range (up to 330′) and signal reliability because the system doesn’t have to compete with Wi-Fi devices and similar everyday sources of interference.
- Intelligent Switching Diversity technology compares incoming signals on the two independent antennas and receiver circuits to help eliminate dropouts and interference. The receiver switches between antennas only during header data as to never affect the audio information.
- The system equidistant tuning grid removes the need for frequency coordination and allows you to add additional transmitters and receivers—especially helpful when multiple wireless mics are used at the same time on a reality TV or film set.
- A very low latency of only 1.9ms helps you to easily keep the audio and video in sync.

Camera-Mount Receiver with OLED Screen and Multiple Powering Options
- At the heart of the system is the compact EW-DP EK portable, single-channel receiver, made with simplicity in mind for DIY cameramen, videographers, creators, and journalists working in the field without a crew. A front-facing OLED display allows for easy menu navigation and at-a-glance system status at any angle, in any light.
- To ensure peace of mind during long hours on set, the receiver can be powered via two AA batteries or the BA 70 lithium-ion rechargeable battery pack (all included). Power can also be supplied through the USB port, allowing it to run for numerous hours on a USB power pack or indefinitely with access to AC.

Versatile Mounting Options for Receiver
- In addition to the cold shoe mount with a 1/4″-20 thread on the bottom, the receiver comes with a magnetic cheese plate that provides flexible mounting options for camera cages and accessory arms.
- The magnetic mounting system lets you securely stack a second transmitter right on top when you’re shooting two, on-camera personalities. Sennheiser offers a combiner cable that will allow you to record both receivers to a camera’s single 3.5mm input.

Bodypack Transmitter with Mute Switch and ME 2 Omni Lav Mic
- The ME 2 lavalier microphone features a forgiving omnidirectional pickup pattern that captures sound equally well in every direction, for a consistent voice level, even when moving your head. The lav plugs into the locking 3.5mm connection on the compact EW-D SK bodypack transmitter.
- The rugged, all-metal transmitter is equipped with a mute button that can be locked out and overridden from the receiver or a phone/tablet during a take.
- The transmitter quickly pairs with the receiver via Bluetooth at a distance up to 120′ at the press of a button.
- The bodypack provides up to 8 hours of operation on two AA batteries or 12 hours with the BA 70 rechargeable battery pack.

Control from Your Phone with Smart Assist App—No Wireless Expertise Required
- EW-D Smart Assist app (free download available separately) provides automated setup, operation, and monitoring using any iOS or Android device via Bluetooth. Auto frequency coordination creates reliable wireless connections for up to 16 systems, no wireless expertise required.
- Remote access to system settings whether at camera or across the set allows for quick and discreet adjustments on the fly—without having to bring the transmitter close to the receiver. If your phone is not available, you can fully operate your system using the buttons on the receiver.

Guidance When You Need It Most
- EW-DP is a wireless system that troubleshoots for you. Smart Notifications provide suggestions to errors that occur when setting up or operating the system. If your audio clips, Smart Notifications will suggest lowering the gain. When your battery is running low, the system will alert you.
- If you try to operate on a blocked frequency, you will be prompted to select another. If your transmitter and receiver are not linked, you’ll be prompted to press sync. And if the talent accidentally mutes their transmitter, you’ll be notified and will have the option to disable the mute remotely.

EW-DP ME 2 SET at a Glance
- Fully digital UHF wireless microphone system for video applications
- EW-DP EK portable, single-channel receiver
- EW-D SK bodypack transmitter with ME 2 omnidirectional lavalier mic
- 56 MHz bandwidth with 2240 available frequencies for flexibility in any RF environment
- Industry leading 134 dB dynamic range for distortion-free transmission
- Exceptionally low latency (1.9 ms)
- Smart Assist app for monitor and control (iOS/Android)
- Integrated Bluetooth for synchronization and control
- Smart Notifications for troubleshooting and system guidance
- 3.5mm headphone output on transmitter
- Intelligent battery management provides optimized operating time
- Extended battery life: up to 12 hours on transmitter, 7 hours on receiver
- External charging and powering via USB-C (receiver only)
- Magnetically stackable components for versatile mounting
Compatibility
Canon EOS R5 C, R5, and R6 cameras
Also compatible with but not limited to:
SmallRig Side Handle HSN2093
SmallRig Top Handle 1984
SmallRig Magic Arm with Double Ball Heads 2070
SmallRig Hand Strap PAC2456
SmallRig Hand Strap PSW2398
SmallRig Neck Strap PSC2428Tap Into Pro Performance
Write speeds of up to 300 MB/s help ensure your camera’s buffer clears fast so you capture more shots.
Capture More without Interruption
With up to 128GB storage, you’ll be able to shoot 4K UHD video at 60 fps and 8K video at 30 fps without needing to swap cards or offload data.
Accelerated Workflow from Scene to Screen
Read speeds of up to 300 MB/s help streamline your editing process so you can get to delivery faster.
Your Reliable Partner On Set
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Recover What Matters Most
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Built to Last
Backed by a lifetime limited warranty, SanDisk branded cards perform over the long haul, so you can trust them with your most remarkable moments.
Compatible Canon Cameras
- EOS 7D, EOS 7D Mark II
- EOS 6D, EOS 6D Mark II
- EOS 5D Mark II, EOS 5D Mark III, EOS 5D Mark IV
- EOS 5DS, EOS 5DS R
- EOS 60D, EOS 60Da
- EOS 70D
- EOS 80D
- EOS 90D
- EOS R7
- EOS R6, EOS R6 Mark II, EOS R6 Mark III
- EOS R5, EOS R5 Mark II
- EOS R5 C
- EOS R, EOS Ra
- XC15
- XC10
Key Features
- Ultra-compact design with an aluminum housing
- 3200 to 5600K adjustable color temperature
- 96+ CRI
- 1 to 100% brightness
- LCD screen
- Built-in battery
- Frosted lens layer for built-in diffusion
- 1/4″-20 thread on the bottom and side for horizontal/vertical mounting
Lightweight and durable design, ideal for professional use
Adjustable padded headband fits virtually any head size
Closed-back earcups and thick on-ear cushions block out unwanted ambient noise and provide lasting comfort
Incluido con tu compra:
- Canon EOS R5 C Mirrorless Cinema Camera | Canon RF 24-70mm f/2.8 L IS USM Lens | Sennheiser EW-DP ME 2 SET Camera-Mount Digital Wireless Omni Lavalier Mic System (R1-6: 520 to 576 MHz) | SmallRig «Black Mamba» Camera Cage Kit for EOS R5 C | R5 & R6 | SanDisk 128GB Extreme PRO UHS-II SDXC Memory Card | Canon LP-E6P Lithium-Ion Battery | Lume Cube Panel Mini | Sennheiser HD 25 Monitor Headphones
Aviso: Las especificaciones y disponibilidad pueden cambiar sin previo aviso.
Información adicional
| Peso | 0,3493 kg |
|---|---|
| Dimensiones | 24,638 × 18,923 × 8,763 cm |
| Lens Mount | Canon RF |
| Effective Sensor Resolution | 45 Megapixel (8192 x 5464) |
| Image Sensor | Full-Frame |
| Image Stabilization | Digital |
| ISO/Gain Sensitivity | Photo – Native in Manual Mode: 100 to 51,200 (50 to 102,400 Extended) – Native in Auto Mode: 100 to 12,800 (100 to 51,200 Extended) Video – Native: 100 to 51,200 (50 to 102,400 Extended) |
| Max Recording Modes | Cinema RAW Light/Raw 12-Bit – Up to DCI 8K at 23.98/24.00/25/29.97/50/59.94 fps AVC-LongG/MP4 4:2:2 10-Bit – Up to DCI 8K at 23.98/24.00/25/29.97 fps AVC-Intra/AVC-LongG/XF-AVC 4:2:2 10-Bit – Up to DCI 4K at 23.98/24.00/25/29.97/59.94/100/120 fps AVC-LongG/MP4 4:2:0 8-Bit – Up to DCI 4K at 23.98/24.00/25/29.97/50/59.94/120 fps |
| Max Video Output | 4:2:2 10-Bit – Up to DCI 4K at 23.98/24.00/25/29.97/50/59.94 fps |
| Media/Memory Card Slot | Slot 1: CFexpress Type B Slot 2: SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1x Micro-HDMI Output 1x USB-C Output |
| Audio I/O | 1x 1/8″ / 3.5 mm TRS Stereo Headphone Output 1x 1/8″ / 3.5 mm TRS Stereo Microphone Input |
| Power I/O | 1x USB-C Input |
| Other I/O | 1x Canon N3 (Remote) Input 1x DIN 1.0/2.3 (Time Code) Input 1x USB-C 3.1/3.2 Gen 2 (Data) Output (Shared with Power Input/Video Output) |
| Wireless | – Bluetooth 5.0 – / – Wi-Fi 5 (802.11ac) |
| Display Type | Free-Angle Tilting 3.2″ Touchscreen LCD |
| Battery | 1x Rechargeable (Built-In) |
| Wireless Technology | Digital UHF / Bluetooth 5.1 LE |
| Diversity | Yes |
| Max Operating Range | 328.1′ / 100 m (Line of Sight) |
| Receiver Type | 1x Camera-Mount |
| Number of Audio Channels | 1 |
| Included Transmitters | 1x Bodypack |
| Microphone Type | 1x Lavalier |
| Included Charging Case | No |
| Item Type | 1x LED Light Panel |
| Included Storage Case | No |
| Photometrics at 3.3' / 1 m | 12 fc / 138 Lux |
| Color Temperature | 3200 to 5600K |
| Color Modes | Daylight, Tungsten |
| Color Accuracy Standard | CRI 96 |
| Dimming | – Built-In Dimmer – • 1 to 100% |
| Front Accessory Mount | No |
| Power Source | Battery (Built-In) |
| Input Power | 5 VDC |
| Power Consumption | 5 W |
| Fixture Mounting | 2x 1/4″-20 Female Thread |
| Wearing Style | Dual Ear with Headband Foldable: No Earpiece Swivel: Yes |
| Open/Closed-Back | Closed-Back |
| Impedance | 70 Ohms |
| Active Noise Cancellation | No |
| Frequency Response | 16 Hz to 22 kHz |
| Built-In Mic | No |
| Audio Connector | 1x 1/8″ / 3.5 mm TRS |
| Included Adapter | 1/4″ TRS |
| Sensor Crop (35mm Equivalent) | Crop Factor: 1x Additional Modes: 1.5x/1.6x/3x *Additional Crop Occurs in Select Video Modes |
| Built-In ND Filter | No |
| Capture Type | Stills & Video |
| Shutter Type | Mechanical Focal Plane Shutter and Electronic Rolling Shutter |
| Shutter Speed | Electronic Shutter – 1/8000 to 0.5 Seconds Electronic Front Curtain Shutter – 1/8000 to 30 Seconds Mechanical Shutter – 1/8000 to 30 Seconds |
| Bulb/Time Mode | Bulb Mode |
| Metering Method | Center-Weighted Average, Evaluative, Partial, Spot |
| Exposure Modes | Aperture Priority, Auto, Manual, Program, Shutter Priority |
| Exposure Compensation | -3 to +3 EV (1/3, 1/2 EV Steps) |
| Metering Range | -3 to 20 EV |
| White Balance | – 2500 to 10,000K Presets: – ATW, AWB, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent, Shade, Tungsten |
| Continuous Shooting | – Up to 20 fps at Maximum Resolution for up to – 83 Frames (Raw) – / – 170 Frames (JPEG) |
| Interval Recording | Yes |
| Self-Timer | 2/10-Second Delay |
| Aspect Ratio | 1:1, 3:2, 4:3, 16:9 |
| Image File Format | C-RAW, HEIF, JPEG, Raw |
| Bit Depth | 14-Bit |
| Video Output | 4:2:2 10-Bit – 4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps – 3840 x 2160 at 23.98/25/29.97/50/59.94 fps |
| Fast-/Slow-Motion Support | Yes |
| Gamma Curve | Canon Log 3, HDR-HLG, HDR-PQ, Rec709, Rec2020 |
| Recording Limit | No |
| IP Streaming | No |
| Built-In Microphone | Mono |
| Audio Recording | Raw: 4-Channel MP4: 4-Channel |
| Internal Storage | No |
| Mobile App Compatible | Yes: Android & iOS App Name: Canon Camera Connect Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed |
| Global Positioning (GPS, GLONASS, etc.) | GPS * Adapter Required or Via Connected Smartphone |
| Resolution | 2,100,000 Dot |
| Type | Electronic (OLED) |
| Size | 0.5″ |
| Eye Point | 23 mm |
| Coverage | 100% |
| Magnification | Approx. 0.76x |
| Diopter Adjustment | -4 to +2 |
| Focus Type | Auto and Manual Focus |
| Focus Mode | Continuous-Servo AF, Manual Focus, Single-Servo AF |
| Autofocus Points | Phase Detection: 1053 |
| Autofocus Sensitivity | -6 to +20 EV |
| Built-In Flash/Light | No |
| Maximum Sync Speed | 1/250 Second |
| Flash Compensation | -3 to +3 EV (1/3, 1/2 EV Steps) |
| Dedicated Flash System | eTTL |
| Non-Shoe Flash Connection | PC Sync Port |
| Shoe Mount | 1x Hot Shoe |
| Tripod Mount | 1x 1/4″-20 Female (Bottom) |
| Operating Conditions | 32 to 104°F / 0 to 40°C up to 85% Humidity |
| Dimensions (W x H x D) | 5.6 x 4 x 4.4″ / 142.2 x 101.6 x 111.8 mm |
| Weight | 0.19 lb / 85 g |
| Materials | Aluminum (Housing) |
| Dimensions | 3.6 x 2.2 x 0.5″ / 9.1 x 5.6 x 1.3 cm |
| Display | LCD |
| Environmental Resistance | No |
| Package Weight | 0.77 lb |
| Box Dimensions (LxWxH) | 9.7 x 7.45 x 3.45″ |
| RF Frequency Band | 520 to 576 MHz |
| Number of RF Channel Frequencies | 2240 |
| Max Transmitters per Band | 58 |
| Dynamic Range | 134 dB |
| Latency | 1.9 ms |
| Encryption | No |
| Built-In Recorder | No |
| Mounting Options | Shoe-Mount, 1/4″-20 Female Thread, Belt Clip (with Included Hardware) |
| Antenna | 2x Fixed 1/4 Wave Rod |
| Network I/O | No |
| Word Clock I/O | No |
| USB/Lightning Connectivity | 1x USB-C Female (Charging, Bus Power) |
| Power Requirements | Battery, Bus Power (USB) |
| RF Output Power | 10 mW |
| Input Level | Microphone / Instrument / Line |
| Bias/Plug-In & Phantom Power | – Has Bias/Plug-In Power: Voltage is Unspecified – No Phantom Support |
| USB I/O | No |
| Muting | Mute Switch |
| Auto-Level/Gain | No |
| Sync Method | Bluetooth |
| Polar Pattern | Omnidirectional |
| Maximum SPL | 130 dB |
| Sensitivity | 17 mV/Pa (at 1 kHz) |
| Output Connector | 1x 1/8″ / 3.5 mm Locking TRS Male |
| Cable Length | 5.2′ / 1.6 m |
| Color | Black |
| Receiver Battery Type | – 2x AA (Included) – or – 1x Sennheiser Battery Pack (Included) |
| Receiver Battery Life | 7 Hours |
| Transmitter Battery Type | – 2x AA (Included) – or – 1x Sennheiser Battery Pack (Included) |
| Transmitter Battery Life | 8 Hours (Alkaline) 12 Hours (Sennheiser Battery Pack) |
| Housing | Metal |
| Battery Plate Type | No |
| Accessory Mounting | Cage – 12x 1/4″-20 Female Thread – 3x ARRI Anti-Twist 3/8″-16 Female Thread Top Handle – 9x 1/4″-20 Female Thread – 2x Anti-Twist 1/4″-20 Female Thread |
| Camera Mounting | 1/4″-20 Male Screw |
| Tripod Mounting | Cage – 1/4″-20 Female Thread, 3/8″-16 Female Thread, Built-In Arca-Type Plate |
| Shoe Mounting | Cage, Top – 1x Cold Shoe Top Handle, Top – 1x Cold Shoe |
| Rosettes | No |
| Cable Clamp | 1x HDMI Clamp |
| Battery Type | 1x Canon LP-E6P |
| Battery Capacity | 2130 mAh |
| Battery Chemistry | Lithium-Ion |
| Accessory Mounting Thread | No |
| Included Filters | Diffusion |
| Photometrics | – 12 fc / 138 Lux at 3.3′ / 1 m* – 51 fc / 550 Lux at 1.64′ / 0.5 m – *Standardized Measurement Calculated Internally Based on Closest Distance |
| Cooling System | No |
| Built-In Flash | No |
| Umbrella Mount | No |
| Inputs/Outputs | 1x USB-C Power Input |
| Battery Charging | Charging Cable (Included) |
| Included Adapter / Cable | 1x USB-C to USB-A Cable |
| Power Pass-Thru | No |
| Earpiece Design | On-Ear (Supra-Aural) |
| Sound Field | Stereo |
| Driver Type | Dynamic |
| Maximum Sound Pressure Level (SPL) | 120 dB |
| Maximum Power Handling | 200 mW |
| Built-In Controls | No |
| Wired Audio Connector | 1x 1/8″ / 3.5 mm TRS |
| Cable Design | Detachable / Straight |
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