














Canon EOS R6 Mark II Mirrorless Camera Cine Kit
$8.863.699 El precio original era: $8.863.699.$7.430.899El precio actual es: $7.430.899.
Canon EOS R6 Mark II Mirrorless Camera Cine Kit
- Atomos Ninja 5.2″ 4K Recording Monitor
- Battery Pack
- Monitor Mount
- HDMI Cable
Matching strong photo performance with apt video capabilities, the Canon EOS R6 Mark II is a versatile mirrorless body for the multimedia creator. An updated 24.2MP CMOS sensor pairs with updated processing for more improved AF, impressive 4K 60p 10-bit video, and faster overall performance. Also, the camera body has been updated for more intuitive handling, including a redesigned top plate for easier access to different shooting modes.
Bajo Pedido - Disponible para reserva - Llega en aproximadamente 15 a 20 días hábiles
Valor por transferencia (Precio en Rojo) - Débito/Crédito (6 cuotas s/interés): Precio tachado
6 Cuotas fijas de $1.572.874
3 Cuotas fijas de $2.873.281
Abonando en efectivo en nuestras oficinas te queda en $6.984.999 o USD4.696.
Descripción
The Rock Store te trae Canon EOS R6 Mark II Mirrorless Camera Cine Kit
Sus características técnicas principales son:
Matching strong photo performance with apt video capabilities, the Canon EOS R6 Mark II is a versatile mirrorless body for the multimedia creator. An updated 24.2MP CMOS sensor pairs with updated processing for more improved AF, impressive 4K 60p 10-bit video, and faster overall performance. Also, the camera body has been updated for more intuitive handling, including a redesigned top plate for easier access to different shooting modes.
The Full-Frame All-Rounder
Matching strong photo performance with apt video capabilities, the Canon EOS R6 Mark II is a versatile mirrorless body for the multimedia creator. An updated 24.2MP CMOS sensor pairs with updated processing for more improved AF, impressive 4K 60p 10-bit video, and faster overall performance. Also, the camera body has been updated for more intuitive handling, including a redesigned top plate for easier access to different shooting modes.
24.2MP Full-Frame Sensor and DIGIC X Processing
Hitting a sweet-spot in terms of resolution, the R6 Mark II incorporates a new 24.2MP CMOS sensor that’s versatile for both photo and video applications, performs well in low-light conditions, and yields striking and accurate colors.
Borrowed from the R3, the R6 Mark II’s upgraded processing suits the multimedia nature of the camera. Capable of processing high speed bursts as well as high-res 4K video, the DIGIC X supports up to 40 fps continuous shooting with a silent electronic shutter or 12 fps with a mechanical shutter, with AF and AE readings before each frame.

There is also a 30 fps RAW Burst mode, which offers pre-release capture to record moments that happened up to 0.5-sec before you press the shutter.
Also, improved processing leads to improved low-light performance, with the sensitivity range now extending from ISO 100-102400, and expandable to ISO 204800 for working in very difficult lighting conditions.

UHD 4K Video Recording
Beyond stills, the R6 Mark II’s sensor also offers high-res UHD 4K 60p internal video using the full width of the sensor and the ability to work with 10-bit sampling with Canon Log 3. A 6K recording area can also be used for oversampled 4K shooting at 30p for improved sharpness, reduced moiré, and lower noise. And, for slow-motion playback, 180p recording is supported at up to Full HD resolution.
HDR-PQ recording is possible, too, for in-camera HDR production and external recording, via the micro-HDMI port, which supports a clean 6K output at up to 60 fps. Also, unlimited recording times are possible, too, and the R6 Mark II features both mic and headphone ports, as well as a multi-function shoe for wide accessories compatibility.
External 6K Raw Recording
Using the micro-HDMI port, raw video recording is possible when paired with a compatible external recorder. ProRes RAW up to 6K 60p is possible using the full width of the sensor as well as 3.7K raw recording with a crop.
Autofocus and Image Stabilization
Dual Pixel CMOS AF II
- Advanced Dual Pixel CMOS AF II system features 1053 automatic AF points that cover the entire sensor area and provide notably fast, responsive, and precise focusing performance.
This phase-detection focusing system also has enhanced subject detection and tracking, benefitted by deep learning technology, with the ability to intelligently recognize people, animals, and vehicles. Subject tracking will automatically lock onto these subjects and maintain sharp focus while shooting, even throughout burst captures and when recording video.
Dual Pixel AF II’s low-luminance limit focuses down to an impressive -6.5 EV for accurate focusing even in nighttime conditions.

Sensor-Shift Image Stabilizer
An In-Body Image Stabilizer (IBIS) corrects up to 7 stops of unwanted camera shake when shooting handheld, helping to shoot handheld in low-light conditions and reduce shake when recording videos. This 5-axis system can be also used in conjunction with lenses featuring optical image stabilization to compensate for up to 8 stops of camera shake depending on the specific lens in use. Additionally, Movie Digital IS uses the optical and sensor-shift stabilization methods along with digital IS to help acquire steadier footage while moving.

Body Design
EVF and Vari-Angle Touchscreen LCD
High-resolution 3.69m-dot 0.5″ electronic viewfinder provides a bright and detailed means for eye-level viewing and the quick 120 fps refresh rate offers natural motion rendering for a more realistic viewfinder experience.
Rear 3.0″ 1.62m-dot LCD touchscreen features a vari-angle design that benefits front-facing recording, such as for vlogging needs, as well as working from high and low shooting angles.

Reliable and Intuitive Handling
Dual SD memory card slots offer file-saving flexibility and both are rated for UHS-II card speeds to support fluent 4K video recording and high-speed continuous shooting.
Refined body design incorporates four distinct control dials across the body for intuitive tactile control and a joystick controller is used on the back of the camera for fast and intuitive focus point selection and menu navigation.
An updated top plate design repositions the On/Off dial and Photo/Video mode dial for more intuitive handling.
Built for reliability, this camera touts a dust- and moisture-sealed body construction that’s suitable for working in inclement conditions.

Flexible Connectivity
Wired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera.
USB-C 3.2 Gen 2 port for in-camera charging and file transfers; this port also enables using the camera as a Full HD 30p webcam with support for UVC/UAC protocols
3.5mm headphone and external microphone ports
Micro-HDMI port for working with an external recorder
Bluetooth and 5/2.4 GHz Wi-Fi for wireless transfers and remote camera control from mobile devices
Next-Generation Multi-Function Shoe
An update to a conventional hot shoe, the Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries. This updated shoe is compatible with select accessories, including the EL-5 Speedlite, ST-E10 Speedlite Transmitter, DM-E1D Stereo Microphone, and AD-P1 Smartphone Link Adapter, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.
With an updated operating system, HDR monitoring, and RAW recording capabilities, the Atomos Ninja 5.2″ 4K HDMI Recording Monitor is a 5.2″ on-camera monitor and recorder ideal for use on your next set. This monitor supports DCI 4K HDMI footage and can even record ProRes RAW up to 6K with compatible cameras. The Ninja retains the same form factor as its predecessors to be compatible with most Atomos monitor accessories for easy integration with your preexisting equipment.

AtomOS 11 Operating System
Built for the new Ninja, the AtomOS 11 operating system equips your monitor with new features along with an improved icon interface for more intuitive operation. Focus Peaking, Zoom, Atomos and ARRI False Color, EL Zone colorized exposure, Safe Areas, RecordAssist, PlayBackAssist, SegmentPro, and Cine Guides are among the many monitor assist functions available. The AtomHDR processing engine allows for real-time Log to PQ/HLG previewing.

5.2″ Touchscreen Display
The 5.2″ IPS touchscreen of the Ninja offers a 1920 x 1080 resolution with 1000 cd/m² brightness for viewing in broad daylight. The 10-bit color processing, Rec.709 color gamut, and Calibrite ColorChecker Display Pro/Plus calibration support ensure color-accurate, high-quality monitoring of your footage.

Comprehensive Color
The Ninja supports the use of select Sony, ARRI, JVC, RED, FUJIFILM, Nikon, Panasonic, and Canon log formats. Upload custom 3D LUTs to the monitor and output HDR conversion to Log, HLG, PQ, or Dolby Vision formats.

HDMI Interface, ProRes RAW Recording
- The Ninja’s HDMI input and output ports support up to DCI 4K video at 60 fps in monitoring, recording, and playback modes. 3.5K RAW at 60 fps footage is supported with select cameras.
- Over 55 different cameras support RAW recording over HDMI with the Ninja up to 6K at 30 fps.
- Multifunction control buttons work in tandem with the touchscreen interface for intuitive onboard control.
- Auto HDMI camera trigger is supported by Canon and Sony cameras using Atomos Open Standard.
- Unlock Bluetooth and RF-driven remote control with the optional CONNECT module.
- LANC control and calibration can be accessed using a separately available USB-C to serial connection cable.

Record 4K HDR Gaming
The Ninja can be configured as a stand-alone system for UHD 4K, HDR, and high frame rate gaming capture. Record, monitor, and instantly review your gameplay for posting to YouTube or other platforms.
Optional Atomos CONNECT Module
The Ninja is compatible with the separately available Atomos CONNECT module to access cloud workflows like C2C, Atomos Edit, and Atomos RemoteView via Atomos Cloud Studio. The CONNECT module adds 12G-SDI connectivity, AirGlu wireless timecode and control, Wi-Fi 6, and GigE Ethernet to your monitor interface. This allows you to send video signals to live streaming platforms, via NDI, and to custom RTMP/S destinations. You can also convert HDMI to SDI and SDI to HDMI video using the CONNECT module.

AtomX Cast
Use the AtomX CAST to transform your Ninja into a compact, fully featured production studio. This component enables advanced multi-input switching from four 1080p HDMI sources, the application of graphic overlays, and the ability to use a USB UVC webcam output for enhanced web conferencing and live streaming.

SSD Recording
The Ninja is compatible with the Atomos Master Caddy II and Master Caddy III 2.5″ hard drive units which support direct recording to the drives. You can also record onto compact AtomX SSDmini drives and CFAST II cards using a separately available adapter.

Power Options
An L-series battery plate on the back of the Ninja can support NP-F L-series batteries outputting 5.8 to 7.2V. A USB-C port supports 30W PD power delivery with the included cable. Use the included dummy eliminator to power the monitor via DC power sources.
Control Options

Compatibility
5 and 7″ monitors
L-series/NP-F970 lithium-ion battery
10,050mAh, 74.37Wh capacity; 7.4V output
USB-C PD fast charge accessory output
5V/3A, 9V/2A, 12V/1.5A, 15V/1.2A, and 20V/0.9A USB output currents
Supports DCI 4K @ 60 Hz
Experience the ultimate image quality for your digital movies, TV shows, video games, and cinema production. This cable supports resolutions of up to 4K UHD (3840 x 2160) at 60 Hz for connecting digital cameras and video capture devices to 4K Ultra HD TVs. Unlock the latest mirrorless cameras, cinema cameras, and external video recorders for up to DCI 4K (4096 x 2160) at 60 Hz on supported devices for video professionals.
Perfect for Mirrorless Cameras
Send uncompressed video via HDMI to your external monitor or recorder to maximize your production workflow.
HDR: Color the Way it Was Intended
Immerse yourself in the most advanced color technology for unparalleled brightness, contrast, and vivid color definition. Experience movies and TV shows in stunning HDR10 with compatible UHD TVs and content. Console and computer gamers will enjoy playing games the way developers intended. Creative professionals can monitor on-set with HDR displays and external recorders to view camera log video for color grading workflows.
Secure Type-A Connection
Just plug in your external monitor or recorder and this cable will remain tightly connected into your external device. The secure connection ensures that the signal will always maintain without loss. For professionals, this means that you can trust this connection throughout the production.
Hyper-Thin with No Compromise
The thinnest cable possible for 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.
Incluido con tu compra:
- Canon EOS R6 Mark II Mirrorless Camera | Atomos Ninja 5.2″ 4K HDMI Recording Monitor | SmallRig Swivel and Tilt Adjustable Monitor Mount with Cold Shoe Mount | ZILR 74.37Wh L-Series/NP-F970 Lithium-Ion Battery with USB-C PD Output | ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7″)
Aviso: Las especificaciones y disponibilidad pueden cambiar sin previo aviso.
Información adicional
| Peso | 0,1043 kg |
|---|---|
| Dimensiones | 15,494 × 7,874 × 4,064 cm |
| Lens Mount | Canon RF |
| Effective Sensor Resolution | 24.2 Megapixel (6000 x 4000) |
| Image Sensor | Full-Frame |
| Image Stabilization | Sensor-Shift |
| ISO/Gain Sensitivity | Native: 100 to 102,400 (50 to 204,800 Extended) |
| Max Recording Modes | H.264/H.265/MPEG-4 4:2:2 10-Bit – Up to UHD 4K at 25/29.97/50/59.94/23.98 fps |
| Max Video Output | Raw – 6K up to 59.94 fps |
| Media/Memory Card Slot | Single Slot: SSDmini/SSD with Master Caddy II/III [Supports Recording] |
| Video I/O | HDMI |
| Audio I/O | 1x 1/8″ / 3.5 mm TRS Stereo Headphone Output 1x 1/8″ / 3.5 mm TRS Stereo Microphone Input |
| Power I/O | 1x USB-C Input |
| Other I/O | 1x 2.5 mm Sub-Mini (Remote) Input 1x USB-C 3.1/3.2 Gen 2 (Data) Output (Shared with Power Input) |
| Wireless | – Wi-Fi 5 (802.11ac) – / – Bluetooth 5.0 |
| Display Type | Articulating 3″ Touchscreen LCD |
| Battery | 1x L-Series Mount on Fixed Plate |
| Display Size | 5.2″ / 13.2 cm |
| Native Resolution | 1920 x 1080 |
| Touchscreen | Yes |
| HDR Support | Yes: Hybrid Log Gamma |
| Video Format | HDMI (8/10/16-Bit 4:2:2) – 6K Raw: 30 – DCI 4K: 60/59.94/50/30/29.97/25/24/23.98 – UHD 4K: 60/59.94/50/30/29.97/25/24/23.98 – 1080p: 60/59.94/50/30/29.97/25/24/23.98 – 1080PsF – 1080i: 120/100/60/59.94/50 – 720p: 60/59.94/50/30/29.97/25/24/23.98 |
| Phantom Power | No |
| Power Consumption | 30 W |
| Sensor Crop (35mm Equivalent) | Crop Factor: 1x Additional Modes: 1.6x *Additional Crop Occurs in Select Video Modes |
| Built-In ND Filter | No |
| Capture Type | Stills & Video |
| Shutter Type | Mechanical Focal Plane Shutter and Electronic Rolling Shutter |
| Shutter Speed | Electronic Shutter – 1/16000 to 30 Seconds Mechanical Shutter – 1/8000 to 30 Seconds |
| Bulb/Time Mode | Bulb Mode |
| Metering Method | Center-Weighted Average, Evaluative, Partial, Spot |
| Exposure Modes | Aperture Priority, Manual, Program, Shutter Priority |
| Exposure Compensation | -3 to +3 EV (1/3, 1/2 EV Steps) |
| Metering Range | -3 to 20 EV |
| White Balance | Presets: – Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten |
| Continuous Shooting | – Up to 40 fps at Maximum Resolution for up to – 75 Frames (Raw) – / – 190 Frames (JPEG) |
| Interval Recording | Yes |
| Self-Timer | 2/10-Second Delay |
| Aspect Ratio | 1:1, 3:2, 4:3, 16:9 |
| Image File Format | C-RAW, HEIF, JPEG |
| Bit Depth | 14-Bit |
| Internal Recording | H.264/H.265/MPEG-4 4:2:2 10-Bit – 3840 x 2160 at 25/29.97/50/59.94/23.98 fps (60 to 340 Mb/s) – 1920 x 1080 at 100/150/23.98/50/25/29.97/59.94 fps (12 to 270 Mb/s) |
| Video Output | Raw – 6144 x 4032 up to 59.94 fps |
| Fast-/Slow-Motion Support | Slow-Motion Only |
| Gamma Curve | Canon Log 3, HDR-PQ |
| Recording Limit | No |
| IP Streaming | No |
| Built-In Microphone | Stereo |
| Audio Recording | LPCM Audio AAC Audio |
| Internal Storage | No |
| Mobile App Compatible | Yes: Android & iOS App Name: Canon Camera Connect Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed |
| Global Positioning (GPS, GLONASS, etc.) | GPS * Via Connected Smartphone |
| Resolution | 1,620,000 Dot |
| Type | Electronic (OLED) |
| Size | 0.5″ |
| Eye Point | 23 mm |
| Coverage | 100% |
| Magnification | Approx. 0.76x |
| Diopter Adjustment | -4 to +2 |
| Focus Type | Auto and Manual Focus |
| Focus Mode | Continuous-Servo AF, Manual Focus, Single-Servo AF |
| Autofocus Points | Photo, Video – Contrast Detection, Phase Detection: 1053 |
| Autofocus Sensitivity | -6.5 to +21 EV |
| Built-In Flash/Light | No |
| Maximum Sync Speed | 1/250 Second |
| Flash Compensation | -3 to +3 EV (1/3, 1/2 EV Steps) |
| Dedicated Flash System | eTTL |
| Non-Shoe Flash Connection | No |
| Shoe Mount | 1x Intelligent Hot Shoe |
| Tripod Mount | 1x 1/4″-20 Female (Bottom) |
| Materials | Magnesium Alloy |
| Dimensions (W x H x D) | 5.4 x 3.9 x 3.5″ / 138.4 x 98.4 x 88.4 mm |
| Weight | 12.70 oz / 360.00 g |
| Environmental Resistance | No |
| Operating Conditions | Up to 104°F / 40.0°C |
| Material of Construction | Aluminum, Plastic |
| Dimensions | 5.9 x 3.6 x 1.2″ / 151 x 91.5 x 31 mm |
| Package Weight | 0.23 lb |
| Box Dimensions (LxWxH) | 6.1 x 3.1 x 1.6″ |
| Panel Type | IPS-Type LCD |
| Maximum Brightness | 1000 nits / cd/m 2 |
| Color Support | 1.07 Billion Colors (8-Bit+FRC) |
| LUT Support | Yes |
| Image Controls | Anamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, RGB Parade, Screen Markers, Vectorscope, Waveform, Zebra |
| Embedded Audio | HDMI |
| Built-In Speaker | No |
| Wi-Fi | No |
| Bluetooth | No |
| Timecode Support | Yes |
| Pulldown Conversion | 2:2, 3:2 |
| Camera Trigger | HDMI |
| Pre-Roll Record | Full HD: 8 Seconds 4K: 2 Seconds |
| Encoding Formats | x DNxHR DNxHD ProRes |
| Maximum Audio Tracks | 8 |
| Reference Input | No |
| Input Power | 6.2 to 16.8 VDC |
| Tripod/Accessory Mounting | – 1x ARRI Anti-Twist 1/4″-20 – 2x 3/8″-16 Female |
| Mounting | 1x Cold Shoe |
| Load Capacity | 9.3 lb / 4.2 kg (90°) 5.5 lb / 2.5 kg (45°) 5.1 lb / 2.3 kg (30°) |
| Color | Black / Silver |
Productos relacionados
Canon 071H High-Capacity Black Toner Cartridge
Bajo Pedido - Disponible para reserva - Llega en aproximadamente 15 a 20 días hábiles
Valor por transferencia (Precio en Rojo) - Débito/Crédito (6 cuotas s/interés): Precio tachado
6 Cuotas fijas de $74.147
3 Cuotas fijas de $135.449
Abonando en efectivo en nuestras oficinas te queda en $329.299 o USD222.
Canon 10×20 IS Image-Stabilized Binoculars
Bajo Pedido - Disponible para reserva - Llega en aproximadamente 15 a 20 días hábiles
Valor por transferencia (Precio en Rojo) - Débito/Crédito (6 cuotas s/interés): Precio tachado
6 Cuotas fijas de $370.903
3 Cuotas fijas de $677.556
Abonando en efectivo en nuestras oficinas te queda en $1.647.099 o USD1.108.
Canon 10×30 IS II Image Stabilized Binoculars
Bajo Pedido - Disponible para reserva - Llega en aproximadamente 15 a 20 días hábiles
Valor por transferencia (Precio en Rojo) - Débito/Crédito (6 cuotas s/interés): Precio tachado
6 Cuotas fijas de $365.696
3 Cuotas fijas de $668.044
Abonando en efectivo en nuestras oficinas te queda en $1.623.999 o USD1.092.
Canon 12-Pin to 12-Pin Servo Extension Cable for C500 Mark II & C300 Mark III (7.9″)
Bajo Pedido - Disponible para reserva
Valor por transferencia (Precio en Rojo) - Débito/Crédito (6 cuotas s/interés): Precio tachado
6 Cuotas fijas de $158.729
3 Cuotas fijas de $289.961
Abonando en efectivo en nuestras oficinas te queda en $704.899 o USD474.
Canon EF-S 10-22mm f/3.5-4.5 USM Lens
Bajo Pedido - Disponible para reserva - Llega en aproximadamente 15 a 20 días hábiles
Valor por transferencia (Precio en Rojo) - Débito/Crédito (6 cuotas s/interés): Precio tachado
6 Cuotas fijas de $461.475
3 Cuotas fijas de $843.010
Abonando en efectivo en nuestras oficinas te queda en $2.049.399 o USD1.378.
Canon Flex Cable for Portable ENG/EFP Lenses (40″)
Bajo Pedido - Disponible para reserva
Valor por transferencia (Precio en Rojo) - Débito/Crédito (6 cuotas s/interés): Precio tachado
6 Cuotas fijas de $139.996
3 Cuotas fijas de $255.741
Abonando en efectivo en nuestras oficinas te queda en $621.699 o USD418.
Canon RF 100mm f/2.8 L Macro IS USM Lens
Bajo Pedido - Disponible para reserva - Llega en aproximadamente 15 a 20 días hábiles
Valor por transferencia (Precio en Rojo) - Débito/Crédito (6 cuotas s/interés): Precio tachado
6 Cuotas fijas de $726.016
3 Cuotas fijas de $1.326.266
Abonando en efectivo en nuestras oficinas te queda en $3.224.199 o USD2.168.
Canon RF-S 10-18mm f/4.5-6.3 IS STM Lens (Canon RF)
Bajo Pedido - Disponible para reserva - Llega en aproximadamente 15 a 20 días hábiles
Valor por transferencia (Precio en Rojo) - Débito/Crédito (6 cuotas s/interés): Precio tachado
6 Cuotas fijas de $179.874
3 Cuotas fijas de $328.589
Abonando en efectivo en nuestras oficinas te queda en $798.799 o USD537.







Valoraciones
No hay valoraciones aún.