ARRI ALEXA 35 Premium Operator Set

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ARRI once again raises the bar for digital cinema capture with the ALEXA 35, a Super 35-format camera boasting a new 4:3 4K.6 sensor that delivers 2.5 stops of additional dynamic range, improved performance in low light and richer, more accurate color reproduction.

ALEXA 35: The New Super 35 Gold Standard

ARRI once again raises the bar for digital cinema capture with the ALEXA 35, a Super 35-format camera boasting a new 4:3 4K.6 sensor that delivers 2.5 stops of additional dynamic range, improved performance in low light and richer, more accurate color reproduction.

Premium Operator Set

This ALEXA 35 Premium Operator Set combines the ALEXA 35 camera with a Cine License, an LPL mount, PL-to-LPL adapter, MVF-2 OLED viewfinder/LCD monitor, TOP-1 15mm LWS top plate, TOG-1 walnut-grip top handle, Touchdown baseplate and receiver set, BUD-1 Utility Dovetail, and B-mount battery plate. Compact and easy to operate, the ALEXA 35 offers both MFX/ARRIRAW and MFX/Apple ProRes capture to 1 or 2TB Codex drives with resolutions up to 4.6K and frame rates up to 120p.

ALEXA 35 SUP 1.3 Update

• SUP 1.3 provides a new UHD 3.8K, 16 x 9 Apple ProRes recording format, which offers the smallest sensor capture that still meets the 4K delivery requirements for many streaming platforms.
• Enables the ALEXA 35 to support up to seven lens user buttons on ENG-style servo grips.
• Now includes a default EBU R095 frame line for broadcast or multicamera use.

4.6K Super 35 ARRI ALEV 4 CMOS Sensor

Key to the ALEXA 35’s amazing image quality is a new 4.6K Super 35 CMOS sensor offering 17 stops of dynamic range, which is a robust 2.5 stops greater than prior ARRI cameras. Those 2.5 stops are split between 1.5 stops at the top end, resulting in filmlike highlight roll-off, and one stop at the lower end to see even deeper into shadows without overexposing other areas. Ideal for HDR projects and any backlit setups, the ALEXA 35’s wide dynamic range can also be a boon when tweaking your images in post.

Operator Set with Touchdown System

• Quickly and easily switch between tripod-based and handheld capture using the included Touchdown set.
• Ideal for multicamera setups, the TBP-1 baseplate and TRP-1 receiver plate provide a self-aligning mount that is more secure than standard VCT-style systems.
• The TOP-1 operator top plate and TOG-1 top grip provide a 15mm LWS rod bracket, multiple accessory threads, and a sliding, comfortable walnut grip, respectively.

Versatile Lens Choices

• This set comes with both an LBUS LPL mount and a PL to LPL adapter, providing compatibility with a wide array of cine-style lenses.
• Additional lens mount adapters are available separately, offering access to a vast selection of existing modern and vintage lenses in spherical, anamorphic, Super 35, and large format options.
• The ALEXA 35 is compatible with all common metadata standards and can stream metadata in real time using an optional plug-in.

Dedicated Accessories

• Mechanical accessories in this ALEXA 35 Operator Set include the sliding BUD-1 Balance Utility Dovetail and the Operator Set mentioned above.
• Electronic accessories include the Multi Viewfinder MVF-2 dual OLED EVF/LCD monitor unit with two right-angle EVF cables and a B-Mount battery adapter.

Video Recording Formats

In-camera down-sampling and anamorphic de-squeezing enable the ALEXA 35 to offer a robust array of 19 ARRIRAW and Apple ProRes recording formats with different resolutions, data rates, aspect ratios, and other factors, suiting the camera to a range of production styles. Recording resolutions include 4.6, 4, 3.3, 3, 2.7, and 2K options.

REVEAL Color Science

The ALEXA 35 expands your creative control options using the new REVEAL color science, color matching with existing ARRI cameras, and multiple Texture Files that bestow an ability to select looks akin to choosing a film stock, both during capture and in post-production. Although housed in a compact form, the ALEXA 35 camera incorporates a full feature set, including a left-side display, independent SDI outputs, audio inputs, motorized ND filters, two wireless radios, and both 12 and 24V accessory ports. Created with the input of both cinematographers and colorists, ARRI’s REVEAL color science employs six factors to create improved color, contrast, sensitivity, and dynamic range.

• A new debayering algorithm combines with the ALEXA 35’s impressive processing power to create cleaner-edged images that are perfect for compositing work.
• The new ACE4 color engine converts RGB image data into the ARRI Wide Gamut color space (AWG4), producing more accurate colors and improving color saturation and tracking, even with subtle tones and lower light levels.
• The AWG4 camera color space is larger than Rec. 2020 but bypasses «virtual» colors that are outside the human visual spectrum, providing faster grading, easier color space conversion, and compatibility with the ACES system.
• A new Log-C 4 tonal curve enables the ALEXA 35’s larger 17-stop dynamic range; note that the Log-C 4 look appears darker before conversion to Rec. 709 or another color space.
• New LUTs use the improved sensor, color space, and Log-C 4 to produce optimal shadow tonality, color fidelity, and color-grading base. These new LUTS must be used with Log-C 4; they do not offer the manual control that some used with Log-C 3.
• The ALEXA 35 offers backward compatibility for intercutting with ALEXA, ALEXA Mini, and AMIRA images, and the ALEXA Mini LF and ALEXA LF images may be processed via REVEAL to match your ALEXA 35 footage. Processed images will not offer the higher dynamic range or ARRI Textures but will have cleaner edges, better color, easier grading, and ACES, Log-C 4, and new LUT compatibility.

High ISO Camera

With an EI of 160 to 6400, the ALEXA 35 offers higher sensitivity and lower noise than ever before in the ARRI lineup, even in low-light settings. An optional Enhanced Sensitivity Mode (EI 2560-6400) works with the camera’s wide dynamic range to produce nuanced images in darker environments and is ideal for impromptu or available-light capture.

Full Feature Set in a Compact Form

At 8 x 6 x 5.8″, the ALEXA 35’s compact, rugged form is similar to that of the ALEXA Mini, but it incorporates the features of the larger ALEXA camera. Assistants and operators will appreciate familiar features like a simple menu structure, recording to 1 or 2TB Codex Compact drives, and a temperature-resistant, splash- and dust-proof housing. Updates include the addition of HDR viewing with the MVF-2 viewfinder, adjustable SDI text overlay, the ability to turn individual frame lines on and off, and Info Panels that present camera information in an easy-to-read form.

Interfaces

• Left display: The new left-side display is ideal for stabilizer, drone, and crane use, enabling you to view the status and change settings without having an EVF attached. You can even select the ND filter setting to show as the display «screensaver», creating a quick visual reminder for any stop compensation needed.
• Connectors: The right side of the ALEXA 35 offers a full interface, including a second EVF port, two 1.5/3/6/12G-SDI outputs with a return option on the second one, timecode in/out, and both 12 and 24V accessory output ports.
• Ethernet: An Ethernet port offers real-time streaming of metadata for use in mixed-reality productions (MRP).

24V B-Mount Battery Power

The 24V ALEXA 35 camera can be powered using the included ARRI B-Mount battery adapter and separately available batteries. The versatile B-Mount system can also power both 12 and 24V accessories, saving you the weight and space required when using two separate batteries. Third-party adapters from Anton/Bauer, Hawk-Woods, and CORE SWX can be used with compatible 26V batteries. The separately available PDM-1 Power Distribution Module can be used to add seven more accessory power ports.

Audio Options

Audio options include two internal microphones, one 6-pin LEMO input, one 3.5mm headphone jack, embedded SDI audio, and compatibility with the AEM-1 audio module.

ARRI Tools and Apps

Make both capture and post-production easier with the range of free tools, apps, and tutorials found on the ARRI website. Use the Camera Companion app for single or multicamera remote control, the ARRIRAW HDE Transcoder for reducing ARRIRAW file sizes, and the ARRI Reference tool to create and look at files, for SDR and HDR conversions, and to export Apple ProRes, OpenEXR, and TIFF files.

Aviso: Las especificaciones y disponibilidad pueden cambiar sin previo aviso.