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$15.658.799 El precio original era: $15.658.799.$13.127.599El precio actual es: $13.127.599.
Canon EOS R5 Mirrorless Camera Raw Recording Kit
- Atomos Ninja V+ 5.2″ 8K Monitor
- 1TB SSDmini
- Power Kit
- USB to SATA Adapter
For the professional image-maker who needs resolution, speed, and video capabilities, the Canon EOS R5 full-frame mirrorless camera features a newly developed 45MP CMOS sensor, which offers 8K raw video recording, 12 fps continuous shooting with a mechanical shutter, and is the first EOS camera to feature 5-axis sensor-shift image stabilization.
Bajo Pedido - Disponible para reserva - Llega en aproximadamente 15 a 20 días hábiles
Valor por transferencia (Precio en Rojo) - Débito/Crédito (6 cuotas s/interés): Precio tachado
6 Cuotas fijas de $2.778.675
3 Cuotas fijas de $5.076.005
Abonando en efectivo en nuestras oficinas te queda en $12.339.999 o USD8.296.
Descripción
The Rock Store te trae Canon EOS R5 Mirrorless Camera Raw Recording Kit
Sus características técnicas principales son:
For the professional image-maker who needs resolution, speed, and video capabilities, the Canon EOS R5 full-frame mirrorless camera features a newly developed 45MP CMOS sensor, which offers 8K raw video recording, 12 fps continuous shooting with a mechanical shutter, and is the first EOS camera to feature 5-axis sensor-shift image stabilization.
High-Resolution Versatility
For the professional image-maker who needs resolution, speed, and video capabilities, the Canon EOS R5 full-frame mirrorless camera features a newly developed 45MP CMOS sensor, which offers 8K raw video recording, 12 fps continuous shooting with a mechanical shutter, and is the first EOS camera to feature 5-axis sensor-shift image stabilization.
45MP Full-Frame Sensor and DIGIC X Processor
Built around a newly developed 45MP full-frame CMOS sensor, the EOS R5 offers both high-resolution stills and video output and the fine-tuned DIGIC X image processor complements this with a wealth of speed. Sensitivity from ISO 100-51200, which can be expanded to ISO 102400, suits working in a variety of lighting conditions while quick continuous shooting up to 12 fps with a mechanical shutter, or silent 20 fps with an electronic shutter, is ideal for working with moving subjects.


8K30 Raw and 4K120 Video Recording
Benefitting more than just stills, the 45MP full-frame sensor also enables impressively high-resolution DCI 8K 30 fps raw video recording internally along with 4K recording up to 120 fps in 4:2:2 10-bit with Canon Log. HDR-PQ recording is possible, too, in-camera HDR production and external recording, via the HDMI port supports a clean 4K output at up to 60 fps. Both All-I and IPB compression options are available, along with the ability to use Dual Pixel CMOS AF when shooting at up to 8K raw.
HDMI 8K Raw Output to Atomos Ninja V+
Firmware update 1.4.0 adds the ability to output 8K30, 10-bit video for ProRes raw recording to the Atomos Ninja V+ recorder over an optional HDMI cable. (Please note, the recorder may become hot.)
Dual Pixel CMOS AF II
An updated Dual Pixel CMOS AF II features 1053 selectable focusing points, which cover approximately 100% of the image frame for wide and even coverage. This focusing system offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network of phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement.

When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system’s ability to recognize subjects and maintain focus when working within changing or cluttered scenery.

Subject tracking has also been benefitted through the use of Deep Learning technology, which helps to gradually refine the focusing system’s ability to quickly and accurately recognize both people and animal subjects. This technology also supports the more refined eye, face, and head detection functions, for both people and animals, that are well-suited for portraiture applications.

Sensor-Shift Image Stabilizer
A first for EOS cameras, the R5 incorporates five-axis sensor-shift image stabilization that compensates for up to an impressive eight stops of camera shake for truly effective compensation of camera shake to suit handheld shooting with slower shutter speeds. This stabilization system also works in concert with lens-based optical image stabilization for both native RF lenses and adapted EF lenses.

Body Design and Wireless Connectivity
High-resolution 5.76m-dot 0.5″ electronic viewfinder provides a bright and detailed means for eye-level viewing and the quick 120 fps refresh rate offers natural motion rendering for a more realistic viewfinder experience.
Rear 3.2″ 2.1m-dot LCD touchscreen features a vari-angle design that benefits front-facing recording, such as for vlogging needs, as well as working from high and low shooting angles.
Top status LCD can be used to quickly review camera and shooting settings.
CFexpress Type B and SD UHS-II memory card slots are featured for flexible storage needs; the CFexpress slot is ideal for 8K video and high-speed, high-resolution burst shooting needs while the SD card slot retains a familiar form factor for wide compatibility.

Both a 3.5mm headphone and a 3.5mm external microphone port are featured for improved audio monitoring and recording capabilities.
Refined body design incorporates four distinct control dials across the body for intuitive tactile control and a joystick controller is used on the back of the camera for fast and intuitive focus point selection and menu navigation.
Durable, weather-sealed body design is built to handle tough working conditions and inclement weather.
Both 5 GHz and 2.4 GHz Wi-Fi bands are available for fast file transferring to a mobile device and Bluetooth is also available to provide constant device connection via the Canon Camera Connect app.

IBIS High Resolution 400MP Files
Using the EOS R5 with firmware 1.8.1 or later, the IBIS High Resolution shot mode can create 400 megapixel (approx.) files in-camera, without the need for external software. This feature can be used for some specific situations when a high-resolution file with fine detail is required. Examples include art reproduction and building signage.

With an updated operating system, HDR monitoring, and RAW recording capabilities, the Atomos Ninja Ultra 5.2″ 4K HDMI Recording Monitor is a 5.2″ on-camera monitor and recorder ideal for use on your next set. This monitor supports DCI 4K HDMI footage and can even record ProRes RAW up to 8K with compatible cameras. The Ninja Ultra retains the same form factor as its predecessors to be compatible with most Atomos monitor accessories for easy integration with your preexisting equipment.
AtomOS 11 Operating System
Built for the new Ninja Ultra, the AtomOS 11 operating system equips your monitor with new features along with an improved icon interface for more intuitive operation. Focus Peaking, Zoom, Atomos and ARRI False Color, EL Zone colorized exposure, Safe Areas, RecordAssist, PlayBackAssist, SegmentPro, and Cine Guides are among the many monitor assist functions available. The AtomHDR processing engine allows for real-time Log to PQ/HLG previewing.

5.2″ Touchscreen Display
The 5.2″ IPS touchscreen of the Ninja Ultra offers a 1920 x 1080 resolution with 1000 cd/m² brightness for viewing in broad daylight. The 10-bit color processing, Rec.709 color gamut, and Calibrite ColorChecker Display Pro/Plus calibration support ensure color-accurate, high-quality monitoring of your footage.

Comprehensive Color
The Ninja Ultra supports the use of select Sony, ARRI, JVC, RED, FUJIFILM, Nikon, Panasonic, and Canon log formats. Upload custom 3D LUTs to the monitor and output HDR conversion to Log, HLG, PQ, or Dolby Vision formats.
HDMI Interface, ProRes RAW Recording
- The Ninja Ultra’s HDMI input and output ports support up to DCI 4K video at 60 fps in monitoring, recording, and playback modes. 3.5K RAW at 60 fps footage is supported with select cameras.
- Over 55 different cameras support RAW recording over HDMI with the Ninja Ultra up to 8K at 30 fps.
- Multifunction control buttons work in tandem with the touchscreen interface for intuitive onboard control.
- Auto HDMI camera trigger is supported by Canon and Sony cameras using Atomos Open Standard.
- Unlock Bluetooth and RF-driven remote control with the optional CONNECT module.
- LANC control and calibration can be accessed using a separately available USB-C to serial connection cable.
- CDNG up to 4k30p
- ProRes RAW HQ 5.7K up to 30p
- 4k60p and 2k240p
- Apple ProRes: 4k60p and 2k240p
- Avid DNx: 4k60p and 2k240p
- Apple ProRes RAW: 5.7k30p, 4k60p and 2k240p
- CDNG: 4k30p
- Up to 560 MB/s sequential read speed with 520 MB/s sustained read speed
- Up to 540 MB/s sequential write speed with 500 MB/s sustained write speed
- Shock, temperature, X-ray, and magnetic proof
- Supports the entire Atomos range of Ninja and Shogun devices, and with the use of an adapter handle, even the Sumo19, Sumo19M, and Shogun Studio

Optional Atomos CONNECT Module
The Ninja Ultra is compatible with the separately available Atomos CONNECT module to access cloud workflows like C2C, Atomos Edit, and Atomos RemoteView via Atomos Cloud Studio. The CONNECT module adds 12G-SDI connectivity, AirGlu wireless timecode and control, Wi-Fi 6, and GigE Ethernet to your monitor interface. This allows you to send video signals to live streaming platforms, via NDI, and to custom RTMP/S destinations. Functions unlocked that are specific to the Ultra include SDICine, enhanced metadata support, RAW recording via SDI, dual 4K60 ProRes RAW and 1080p60 H.265 dual recording codecs, and 4K C2C mode for higher quality uploads. You can also convert HDMI to SDI and SDI to HDMI video using the CONNECT module.

AtomX Cast
Use the AtomX CAST to transform your Ninja Ultra into a compact, fully featured production studio. This component enables advanced multi-input switching from four 1080p HDMI sources, the application of graphic overlays, and the ability to use a USB UVC webcam output for enhanced web conferencing and live streaming.

SSD Recording
The Ninja Ultra is compatible with the Atomos Master Caddy II and Master Caddy III 2.5″ hard drive units which support direct recording to the drives. You can also record onto compact AtomX SSDmini drives and CFAST II cards using a separately available adapter.

Power Options
An L-series battery plate on the back of the Ninja Ultra can support NP-F L-series batteries outputting 5.8 to 7.2V. A USB-C port supports 30W PD power delivery with the included cable. Use the included dummy eliminator to power the monitor via DC power sources.
Control Options

Features
Locking power connector prevents accidental unplugging
Charges a 5200mAh battery in about 3 hours
Accepts 110 to 240 VAC input
Compatibility
5 and 7″ monitors
Supported Capture
Supported Codecs
Performance
Features
USB Attached SCSI Protocol
UASP is supported in Windows 8, Mac OS X (10.8 or above), and Linux. In testing, UASP performs with a 70% faster read speed and 40% faster write speed over traditional USB 3.0 at peak performance. It also shows an 80% reduction in required processor resources.
Supports DCI 4K @ 60 Hz
Experience the ultimate image quality for your digital movies, TV shows, video games, and cinema production. This cable supports resolutions of up to 4K UHD (3840 x 2160) at 60 Hz for connecting digital cameras and video capture devices to 4K Ultra HD TVs. Unlock the latest mirrorless cameras, cinema cameras, and external video recorders for up to DCI 4K (4096 x 2160) at 60 Hz on supported devices for video professionals.
Perfect for Mirrorless Cameras
Send uncompressed video via HDMI to your external monitor or recorder to maximize your production workflow.
HDR: Color the Way it Was Intended
Immerse yourself in the most advanced color technology for unparalleled brightness, contrast, and vivid color definition. Experience movies and TV shows in stunning HDR10 with compatible UHD TVs and content. Console and computer gamers will enjoy playing games the way developers intended. Creative professionals can monitor on-set with HDR displays and external recorders to view camera log video for color grading workflows.
Secure Type-A Connection
Just plug in your external monitor or recorder and this cable will remain tightly connected into your external device. The secure connection ensures that the signal will always maintain without loss. For professionals, this means that you can trust this connection throughout the production.
Hyper-Thin with No Compromise
The thinnest cable possible for 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.
Incluido con tu compra:
- Canon EOS R5 Mirrorless Camera | Atomos Ninja Ultra 5.2″ 4K HDMI Recording Monitor | Atomos 5″ Accessory Kit for Select 5″ Monitors (Version II) | SmallRig Swivel and Tilt Adjustable Monitor Mount with Cold Shoe Mount | Angelbird 1TB AtomX SSDmini | StarTech USB 3.0 to 2.5″ SATA III Drive Adapter Cable (19.7″) | ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7″)
Aviso: Las especificaciones y disponibilidad pueden cambiar sin previo aviso.
Información adicional
| Peso | 0,1043 kg |
|---|---|
| Dimensiones | 15,494 × 7,874 × 4,064 cm |
| Lens Mount | Canon RF |
| Effective Sensor Resolution | 45 Megapixel (8192 x 5464) |
| Image Sensor | Full-Frame |
| Image Stabilization | Sensor-Shift |
| ISO/Gain Sensitivity | Photo – Native: 100 to 51,200 (50 to 102,400 Extended) Video – Native: 100 to 25,600 (100 to 51,200 Extended) |
| Max Recording Modes | Raw 12-Bit – DCI 8K at 23.98/24.00/25/29.97 fps H.264 4:2:0 8-Bit – Up to DCI 8K at 23.98/24.00/25/29.97 fps H.265 4:2:2 10-Bit – Up to DCI 8K at 23.98/24.00/25/29.97 fps |
| Max Video Output | 4:2:2 10-Bit via HDMI – Up to DCI 4K up to 59.94 fps ProResRAW 10-Bit via HDMI – Up to DCI 8K at 23.98/24.00/25/29.97 fps |
| Media/Memory Card Slot | No |
| Video I/O | HDMI |
| Audio I/O | 1x 1/8″ / 3.5 mm TRS Stereo Headphone Output 1x 1/8″ / 3.5 mm TRS Stereo Microphone Input |
| Power I/O | 1x USB-C Input |
| Other I/O | 1x Canon N3 (Remote) Input 1x USB-C 3.1/3.2 Gen 2 (Data) Output (Shared with Power Input) |
| Wireless | – Wi-Fi 5 (802.11ac) – / – Bluetooth 5.0 |
| Display Type | Free-Angle Tilting 3.2″ Touchscreen LCD Status Display (Top) |
| Battery | 1x L-Series Mount on Fixed Plate |
| Display Size | 5.2″ / 13.2 cm |
| Native Resolution | 1920 x 1080 |
| Touchscreen | Yes |
| HDR Support | Yes: Hybrid Log Gamma |
| Video Format | HDMI (8/10/16-Bit 4:2:2) – 8K Raw: 30 – 6K Raw: 60 – 3.5K Raw: 60 – DCI 4K: 60/59.94/50/30/29.97/25/24/23.98 – UHD 4K: 60/59.94/50/30/29.97/25/24/23.98 – 1080p: 120/100/60/59.94/50/30/29.97/25/24/23.98 – 1080PsF – 1080i: 60/59.94/50 – 720p: 60/59.94/50 |
| Phantom Power | No |
| Power Consumption | 30 W |
| Sensor Crop (35mm Equivalent) | Crop Factor: 1x Additional Modes: 1.6x *Additional Crop Occurs in Select Video Modes |
| Built-In ND Filter | No |
| Capture Type | Stills & Video |
| Shutter Type | Mechanical Focal Plane Shutter and Electronic Rolling Shutter |
| Shutter Speed | Electronic Shutter – 1/8000 to 1/2 Second Electronic Front Curtain Shutter – 1/8000 to 30 Seconds Mechanical Shutter – 1/8000 to 30 Seconds |
| Bulb/Time Mode | Bulb Mode |
| Metering Method | Center-Weighted Average, Evaluative, Partial, Spot |
| Exposure Modes | Aperture Priority, Manual, Program, Shutter Priority |
| Exposure Compensation | -3 to +3 EV (1/3, 1/2 EV Steps) |
| Metering Range | -3 to 20 EV |
| White Balance | – 2000 to 10,000K Presets: – Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten |
| Continuous Shooting | – Up to 20 fps at Maximum Resolution for up to – 83 Frames (Raw) – / – 170 Frames (JPEG) |
| Interval Recording | Yes |
| Self-Timer | 2/10-Second Delay |
| Aspect Ratio | 1:1, 3:2, 4:3, 16:9 |
| Image File Format | JPEG, Raw |
| Bit Depth | 14-Bit |
| Video Output | 4:2:2 10-Bit via HDMI – 4096 x 2160 up to 59.94 fps – 3840 x 2160 up to 59.94 fps ProResRAW 10-Bit via HDMI – 8192 x 4320 at 23.98/24.00/25/29.97 fps – 5088 x 2680 at 23.98/24.00/25/29.97/50/59.94 fps |
| Fast-/Slow-Motion Support | Yes |
| Gamma Curve | Canon Log, Canon Log 3 |
| Recording Limit | 30-Minute Maximum |
| IP Streaming | Yes |
| Built-In Microphone | Stereo |
| Audio Recording | AAC Audio LPCM Audio |
| Internal Storage | No |
| Mobile App Compatible | Yes: Android & iOS App Name: Canon Camera Connect Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed |
| Global Positioning (GPS, GLONASS, etc.) | GPS * Via Connected Smartphone |
| Resolution | 2,100,000 Dot |
| Type | Electronic (OLED) |
| Size | 0.5″ |
| Eye Point | 23 mm |
| Coverage | 100% |
| Magnification | Approx. 0.76x |
| Diopter Adjustment | -4 to +2 |
| Focus Type | Auto and Manual Focus |
| Focus Mode | Continuous-Servo AF, Manual Focus, Single-Servo AF |
| Autofocus Points | Phase Detection: 1053 |
| Autofocus Sensitivity | -6 to +20 EV |
| Built-In Flash/Light | No |
| Maximum Sync Speed | 1/250 Second |
| Flash Compensation | -3 to +3 EV (1/3, 1/2 EV Steps) |
| Dedicated Flash System | eTTL |
| Non-Shoe Flash Connection | PC Sync Port |
| Shoe Mount | 1x Hot Shoe |
| Tripod Mount | 1x 1/4″-20 Female (Bottom) |
| Materials | Magnesium Alloy |
| Operating Conditions | Up to 104°F / 40.0°C |
| Dimensions (W x H x D) | 5.4 x 3.8 x 3.5″ / 138 x 97.5 x 88 mm |
| Weight | 12.70 oz / 360.00 g |
| Environmental Resistance | No |
| Material of Construction | Aluminum, Plastic |
| Dimensions | 5.9 x 3.6 x 1.2″ / 151 x 91.5 x 31 mm |
| Connector 1 | 1x 15-Pin + 7-Pin SATA (Unspecified Type) |
| Connector 2 | 1x USB-A 3.0 / 3.1/3.2 Gen 1 (5 Gb/s) |
| Supported Technologies | UASP |
| Package Weight | 0.23 lb |
| Box Dimensions (LxWxH) | 6.1 x 3.1 x 1.6″ |
| Panel Type | IPS-Type LCD |
| Maximum Brightness | 1000 nits / cd/m 2 |
| Color Support | 1.07 Billion Colors (8-Bit+FRC) |
| LUT Support | Yes |
| Image Controls | Anamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, RGB Parade, Screen Markers, Vectorscope, Waveform, Zebra |
| Embedded Audio | HDMI |
| Built-In Speaker | No |
| Wi-Fi | No |
| Bluetooth | No |
| Timecode Support | Yes |
| Pulldown Conversion | 2:2, 3:2 |
| Camera Trigger | HDMI |
| Pre-Roll Record | Full HD: 8 Seconds 4K: 2 Seconds |
| Encoding Formats | x DNxHD DNxHR ProRes |
| Maximum Audio Tracks | 8 |
| Reference Input | No |
| Input Power | 6.2 to 16.8 VDC |
| Tripod/Accessory Mounting | – 1x ARRI Anti-Twist 1/4″-20 – 2x 3/8″-16 Female |
| Battery Type | 1x Sony L-Series |
| Battery Capacity | 5200 mAh |
| Output Voltage | 7.4 VDC |
| Battery Chemistry | Lithium-Ion |
| Accessory Mounting Thread | No |
| Charger Type | 1x Bay Charger for 1x Battery |
| Compatibility | Battery: Sony L Series/NP-F |
| Recharge Time | 3-Hour |
| Features | Quick Charge |
| Mounting | 1x Cold Shoe |
| Load Capacity | 9.3 lb / 4.2 kg (90°) 5.5 lb / 2.5 kg (45°) 5.1 lb / 2.3 kg (30°) |
| Color | Black / Silver |
| Certifications | – CE – , FCC – , RoHS |
| Operating Shock | 1000 G / 0.5 ms |
| Operating Vibration | 2.17 G |
| Storage Conditions | 14 to 158°F / -10 to 70°C |
| Housing Dimensions | 19.7 x 1.9 x 0.4″ / 50.0 x 4.8 x 1.0 cm |
| Inputs/Outputs | 1x SATA III |
| Interface | SATA III (6 Gb/s) |
| Maximum Read Speed | 560 MB/s 520 MB/s |
| Maximum Write Speed | 540 MB/s 500 MB/s |
| Endurance (Total Bytes Written) | 3000 TB |
| Mean Time Between Failures (MTBF) | 2,400,000 Hours |
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